‘Joy’ Reading & Film: Sasha Dugdale on Catherine Blake

Finding Blake creator and filmmaker James Murray-White announces a special public event and an exclusive film for our project, courtesy of award-winning poet Sasha Dugdale. Sasha’s recent poem Joy brings us the voice of Catherine Blake, wife to William Blake and ‘vital presence and assistant throughout his life’. 


And he is gone, fled singing to some place I cannot reach. His angels came and he sang to them and they told him they needed him more than I did… Merciless, merciless angels… Merciless angels who know nothing of human despair. And he went with them. He nodded and spoke mild words and was soon gone… And he left a shadow of grime on his collar and a warm bed. And the angels had tall wings, like steeples, or like sails and spread white like the King’s ship in dock, and they took him, only I couldn’t see them, but I know how they looked, for hadn’t he spent all his life in their company and mine? And didn’t they sometimes appear in white like good children, and sometimes like ladies but barefoot, with rosy pink staining their necks and hands and ringlets in their hair? Their sighs were angel swords and their smiles were beams of light. He smiled at me, as if to say can’t you see how bonny they are today, on this, my death day, and there’s the whole pity of it, for I couldn’t see, and I never could.

— from Joy, by Sasha Dugdale

And so spake Catherine Blake, reflecting back upon the life and death of her life-long husband William in 1827; or so writes Sasha Dugdale, poet and translator, who in this wondrous monologue gives voice to one of the most silent muses the world has known — who inspired steadily her vacillating husband-genius, is known to have helped him print and paint his masterpieces, and to whom he dedicated much of his writings.

Catherine Blake, by William Blake
Catherine Blake, by William Blake c1805

The monologue and its volume of other poems, Joy, won the Forward Prize for best single poem in 2016, and was described by the judges as “an extraordinarily sustained visionary piece of writing”. Sasha has written three other collections of poetry, is known for her promotion and translation of Russian literature, and is co-director of the Winchester Poetry Festival. She is currently poet-in-residence at St John’s College, Cambridge.

'Joy', by Sasha Dugdale
‘Joy’, by Sasha Dugdale

We at Finding Blake are delighted to announce that we will be exclusively filming Sasha reading her monologue, to be premiered here on our website and in the final Finding Blake film to be released later this year. On the same day — 11th April, at 7pm — Sasha will be giving a public reading of some of Joy and other work. The venue is a wonderful Victorian engineer’s house, undergoing restoration in the grounds of the Cambridge Museum of Technology by the River Cam. The house — now named ‘Othersyde’, with its lovely gardens and outdoor bar with views across the river onto a nature reserve in the heart of the city — is a new arts and escape rooms venue that I’ve been involved with for some time. This event is the finale of a winter series of literary & musical salons. 


Notes

The event is on Thursday April 11th at 7pm. All welcome, though early booking essential as it’s a cosy intimate venue — with only 25 seats! Booking info is here, and then please email me for a Paypal link to secure your ticket.

For further information on Catherine Blake, see Wikipedia, and there is an essay on her by Angus Whitehead at the Blake Archive.

For further information about Sasha Dugdale, see her Wikipedia page. You can enjoy another excerpt from Joy at the Forward Arts Foundation, (where there is also an interview with her), and here is a review from the Poetry School. The collection Joy (2017) is published by Carcanet Press, and was Winner of the 2017 Poetry Book Society Winter Choice Award; the poem Joy was Winner of the 2016 Forward Prize for Best Single Poem.

To find out more about Othersyde, visit their Facebook page.

Finding Blake, Looking Back and Forwards

Six months on from our website’s launch, Finding Blake creator and driving force, filmmaker James Murray-White offers this update on work to date and to come, focusing on those elements which will form part of the full Finding Blake film next year.

 


I wanted to update all our many readers and subscribers with what’s going on with Finding Blake, particularly since the great ceremony in August to unveil the new gravestone at William Blake’s burial site, which had been a big event to focus on. It was such an experience to be there on the day, with so many Finding Blake supporters and other Blake devotees!

The Lark, watercolour over traces of black chalk
Artist: William Blake
Source: The Morgan Library & Museum www.themorgan.org

I’m now wading through the many wonderful hours of footage I have. You can see many of the clips at the Finding Blake films at a glance page in our Bleakean Archive. Some of the highlights for me include: 

Finding Blake, documenting his new memorial

I have great memories — caught on film — of visiting Jordan’s Mine to see where the stone was cut; accompanying master letter-cutter Lida Kindersley as she chose the stone; being with her in her workshop for much of the process, as she bevelled the stone, then drew the letters for the inscription — and then the lovely long, slow process of the letters being cut. Amongst all that, there is an interview with Lida about Blake, talking from the heart as she cuts the letters that would soon mark his final resting place!

Leading wonderful interviews

Finding Blake has brought us opportunities to meet and talk with so many fascinating people with a shared passion for Blake:

  • Poet David Whyte, giving it to us from his heart in the depths of the Ashmolean Museum in Oxford (a special day that really felt like we had Blake on our shoulders!);
  • Psychotherapist Carol Leader, talking to us from her consulting room in London;
  • Writer and priest Malcolm Guite, in his study at Girton College, Cambridge;
  • Rapper Testament, delivering his powerful reflections on Blake’s influence on him, speaking on the streets outside a London theatre;
  • Blake Society chair Tim Heath, talking about his passion for Blake in Blake’s only surviving rooms in London

Participating in Blakean events

We’ve filmed at a number of talks by leading experts in different fields, including:

  • Carol Leader’s stimulating lecture in Oxford on Satanic Error – the value of William Blake’s mythology for clinical practice and everyday life;
  • William Blake, Biblical Prophecy and Jesus, a pair of talks in a Cambridge church by Reverend Malcolm Guite and Reverend Christopher Rowland, both vicars with an interest in exploring Blake from religious perspectives;
  • the Unveiling Ceremony itself, with all the wonderful speeches, candle-lighting, and personal responses, including an as yet unidentified African song, by the grave!

Creating original performances

William Blake’s creative vision speaks to many people and appeals to the genius of other creative practitioners and performers. We’ve been very fortunate in the generosity of talented actors in offering their interpretations of the man’s poems on film. 

  • Finding Blake invited actor Matt Ray Brown to read several of William Blake’s poems on location in Blake’s rooms at South Molton Street, London, including Jerusalem, The Tyger, and The Little Black Boy;
  • During our interview with David Whyte at the Ashmolean in Oxford, David delivered his reading of The Garden of Love.

Bringing personal projects into harmony with Blake

During the cutting of Blake’s new gravestone, Lida and I agreed a barter: she would make a memorial stone for my lovely mum’s ashes, and I would film it. What a wonderful trade! I’m editing that project now, whittling down many hours of beautiful conversation and cutting, as well as the sounds of the workshop, and silence too. Naturally, the conversations flowed between Blake and many aspects of creativity: including Lida talking about her late husband David, the master of letters and steeped in the craft’s heritage from Eric Gill and beyond. It’s a lineage that is so present within the workshop today, in the work of Lida and her two sons Vince and Hallam, and expert cutter Fiona (who completed mum’s memorial stone), plus a range of apprentices — and former apprentices who come in to help on other jobs as and when.

So I wanted to share with you here two outtakes from that other project (which might possibly be used in the Finding Blake film but, if not, can happily rest here on our project page) which give another flavour of the creative work:

‘Reaching the golden vein’ outtake 1 from James Murray-White on Vimeo.

‘Bank it up’ outtake 2 from James Murray-White on Vimeo.

Next steps for Finding Blake

So I’m working through all this material, and more, making notes and beginning the edit. And I’m now thinking hard about the third option within the film: either dramatic recreations of some of Blake’s art, or an element of animation, or projection. Possibly a combination of all three!

I’ve always felt passionate that we could bring Blake’s images to life on-screen, in addition to the spoken words and other elements. This feeling has been particularly over the past year as I’ve stood in front of a Blake image, be it in the Fitzwilliam in Cambridge or Tate Britain in London, or at the magnificent show at Petworth House in Sussex; many of these images shine out and dazzle with their bright illumination and their sprite vision.

So, I’m in discussion with several folk on these ideas, and we are awaiting some responses to funding applications, and further discussions.

I have been talking with an institution about possible screenings of the finished film late next year, which I will announce hopefully when finalised. We have agreed to a showing of a rough-cut of the film, or pieces of the film, with The Blake Society, at Waterstone’s Piccadilly, in January. We’ll post about that nearer the time …

In the meantime, I’m back on the edit, and the numerous other projects that consume my days.

Linda Richardson has kindly donated her canvas of Tyger, which she painted with children at a primary school in her village (see her post here with the children’s Bleakean art too!) so that Finding Blake can auction this to fundraise for the project: more details to come soon. We thank Linda for that generous gift.

Blakefest 2018

With Bognor Regis gearing up for its annual Blake-inspired arts festival tomorrow, Blakefest director Rachel Searle shares just a few of the highlights. Blakefest has become a unique cultural experience by the sea, featuring international art, poetry, political discussion panels. As Rachel says, "in all honesty, it's very pleasingly different and eclectic in its approach, and perfectly mirrors the creative magpie approach, showcasing the whole spectrum of art forms."

The presence of William Blake as a resident in my hometown of Felpham has always been a catalyst for me wanting to create a cultural legacy in Bognor, that both honours him but also celebrates new art and contemporary visionary artists, as well as bringing in artists that embrace his rebel spirit and political resistance. We are really excited by the acts we’ve managed to secure this year and the breadth of the programming.

BlakeFest, part of the Big Blake Project, has its roots in Blake’s vision of Beulah, perhaps best understood as a window on earth into heaven itself: In Felpham, Blake penned “Heaven opens here on all sides her golden gates” and the words to Jerusalem. In the “spirit of Blake’s poetic genius”, BlakeFest is a synthesis of original music, poetry and audio-visual art and includes talks on issues of ‘the imagination’ and social justice. Our over-riding aim for BlakeFest is to be an agent of regeneration in Bognor Regis through the exploration and celebration of William Blake.

Before the main programme

While the main programme starts tomorrow, there is a question-time style panel debate tonight. Building Jerusalem is a public meeting, being held as part of BlakeFest 2018 at Chichester University, involving talks and a panel discussion exploring the relevance of William Blake’s poem/hymn Jerusalem, and wider philosophy, to the Israeli-Palestinian conflict and Britain’s potential role in finding a solution to it. The event is an inter-faith and truth-seeking initiative and there will be no promotion of ideological or religious views that favour one faction of humanity over others. 

Building Jerusalem was inspired by the community poem – ‘We’ll Do It’ – crafted by Stella Bahin during her time as BlakeFest’s Poet-in-Residence. For me,’We’ll Do It’ reveals the heartbeat of Blake’s Jerusalem in the people of Bognor Regis today. With Blake’s own visions of both Beulah and Jerusalem, the idea of an inclusive inter-faith panel discussion emerged. This was followed by a sobering trip to Jerusalem and the West Bank. The highlight of the trip was meeting Dareen Tatour who used her precious last hours of freedom to give us a tour of her beloved Nazereth.”

Blakefest: music, poetry and talks

Our daytime programme starts at midday on Saturday with local and national talent. And the South Downs Poetry Festival has converged with Blakefest this year, curated by local bard Barry Smith — placing jazz and poetry alongside each other, weaving in and out of the musical acts throughout the day.

In keeping with Blake’s anti-establishment spirit of personal freedom, the acclaimed 1970s pop icon Lene Lovich headlines in the evening, with second headliner the All Things Must Pass Orchestra; led by Alex Eberhart, this is a celebration of the music of visionary Beatle, George Harrison. 

Mikey B Georgeson has been a major mover and shaker with BlakeFest, in capacities ranging from musician, exhibition curator, speaker and generally inspiring those around him. This year, he brings his Silent Disco, an art installation called An Actual Occasion and then performing as Mr Solo: an eclectic range of original, very individual, material taking inspiration from Bowie, the Beatles and Blake. A riveting and highly eloquent performer, this promises to be another highlight of BlakeFest 2018.

Vincent Gray will be unveiling and available to discuss an exciting possible sculpture for Bognor Regis, Albion Rose. Vincent recently completed a Keats sculpture now permanently installed in Eastgate Square, in Chichester.

The evening event at the Alexandra Theatre is being opened by a talk on Blake and the 60s by the accessible and scholarly Tobias Churton. The internationally-recognised and respected Churton, a very erudite orator, will be shedding light on Blake’s enduring contribution to our culture, focusing on the resurgence of his popular influence through the 1960s which still resonates across the arts, philosophically and spiritually.

Jamie Leeming will headline an afternoon set of live music sessions. He’ll also be accompanying the Southdown Festival Poets, culminating in Sasha Dugdale’s vocalising of Catherine Blake. Joy: Poetry & Jazz features Sasha Dugdale, Niall McDevitt, Naomi Foyle, Barry Smith and Jamie. The genre-crossing compositions of Jamie Leeming — with strong roots in the jazz tradition, but with folk-influenced imagery and textures  — meet the Blake-inspired words of South Downs poets!

Ciaran O’Driscoll and Margaret Farrelly with John Davies (aka Shedman) can be trusted to bring their lyrical Celtic music and humour to the afternoon. Probably the biggest contemporary name in Irish literature, Ciaran has won several awards and formally recognised by the Irish Arts Council as making an outstanding contribution to art and literature.

Alongside the wonderful musical lineup, free Silent Disco and performance poetry, there will be a graffiti art exhibition and bitesize talks on: Graffiti, Ginsberg and Blake; Blake and the Divided Brain; Female Revolutionary Figures

There is also an event in William and Catherine Blakes’ Cottage on Sunday and a guided walk.

Bognor Regis is a town poised at the brink of regeneration following similar projects in Margate, Hastings and Liverpool, with proposals including a major ‘William Blake Theatre’ — channelling local culture and arts to enrich their current heritage and touristic allure.


Notes

BlakeFest 2018 is taking place over the weekend 14th-16th September with the main focus being the all-day Live Music Festival on Saturday 15th at The Regis Centre/Alexandra Theatre from noon onwards. The Fringe Events on Friday and Sunday have limited numbers and payable separately.

The event is sponsored by Chichester University & Chichester Observer

You can find more information and booking details at the Blakefest website. This video shows events from last year’s festival.