Finding Blake in Nenthead

Finding Blake creator and filmmaker James Murray-White shares a taste of a talk that he and poet Clare Crossman, a fellow Finding Blake contributor, gave on 19th October in Nenthead in Cumbria.


At the invitation of curator Maxine, with an audience of 30, we set up the screen in front of the lectern at the beautifully restored old chapel that is the Nenthead Arts and Visitor Centre and I showed a range of clips from the project so far, and shared the history of how it came to be.

Some of the selected highlights included the experience of going into Jordan’s Mine in Dorset, and on having such an immersive experience in the Kindersley workshop experiencing the letters being cut for Blake’s new stone, right through to engaging with scholars and creative minds through the interviewing process, to an assessment of getting ready for the final push and finishing the film. 

Clare Crossman speaking at Nenthead Arts & Visitor Centre
Clare Crossman speaking at Nenthead Arts & Visitor Centre

Clare spoke deeply and with careful reflection of Blake as mystic and as a continuing inspiration, through both nature references and remarks on city life and culture in his work. She used her body of poems and study in associated areas to illustrate her talk.

Extinction Rebellion

I started by referencing the recent Extinction Rebellion in London, which I had been involved with for four days, and had brought some of that energy with me to Cumbria. Immediately before this talk I had come from a woodland in the North East, where I’d met a local Extinction Rebellion  group — XR NE — talking about rewilding as the ultimate act of rebellion, and gathering seeds to further forest the planet as one of the most positive actions we humans can do.

There is no evidence Blake planted trees, though he certainly engaged with them, and it’s clear in my mind he would have supported the values of XR and shared the strong wish to throw off the ‘mind-forged manacles’ of a system that conspires against creativity and the inner/outer spiritual nature of the individual. He is an inspiration in seeking connection to all that is good and holy in this life and in this world as we know — until we transform ourselves internally as well as the world externally.

XR Capitalism poster
XR Capitalism poster

Here is the XR poster I used as an opening graphic for the Nenthead event.

A Finding Blake screening in Nenthead

I captured this footage of the start of the event — although this was just a camera on a tripod to record it, so apologies for lack of light and focus, and it not being complete. It was just meant to capture a taste of our talk and screening. 

We shall be bringing the Finding Blake film to Nenthead for a screening in the New Year!

FB Talk Nenthead October 2019 from James Murray-White.


Notes

You can find out more about Nenthead Arts & Visitor Centre — “England’s highest arts and visitor centre” — and the restoration of the chapel at Nenthead Arts and Visitor Centre

Extinction Rebellion North East is on Facebook, and you can read James’s Finding Blake post on his earlier experiences with Extinction Rebellion, Blake in the Midst of Rebellion! 

Exploring the Divided Brain

Finding Blake creator and filmmaker James Murray-White checks in from a four-day retreat in Tewksbury, where he’s been Exploring the Divided Brain with fellow participants and been sharing Finding Blake.


I’ve been lucky to have been invited to come and film this deep immersion into the divided brain with renowned neurosceptic philosopher and noted Blakean Iain McGilchrist.

Organised by powerhouse trainer and facilitator Samantha Field of Field & Field, this retreat has run for the past four years, and participants gather for four days to go on a deep journey with Iain into the thinking and research behind his work looking at our divided brain hemispheres, its relevance to modern life, and the implications of left-hemisphere dominance for our humanity, health, and happiness.

Iain McGilchrist with James Murray-White
Iain McGilchrist with James Murray-White at Exploring the Divided Brain.

Iain has been taking us on a journey through fourteen detailed lectures, ranging from ‘The value and limits of Intuition’, ‘ The value and limits of Imagination’, ‘What is language for?’, ‘Are we becoming machines?’, and so much more. The days are long and intense, and the thirty of us participants roll into bed late in the evening full of stimulation and questions; Iain’s talks are complemented by a range of optional workshops from within the group.

I offered a workshop on the first day, explaining the Finding Blake project, showing a few clips of the film so far, talking about why Blake feels so relevant now, and encouraging the participants to respond creatively to Blake in their own way, using a quote from Iain that very morning: “attention is how you dispose your consciousness into the world”. One participant wrote a magnificent poem about a tree, which she has given permission to share later.

Feedback from James's workshop
Feedback from James’s workshop

I’m delighted to have been invited to come and film and participate in this retreat. It has pushed at the edges and given the tools to see and sense the world in new and exciting ways, ever mindful of this divided way of thinking; and some new tools to heal this split, which clearly manifests in humanity and the external world. Iain is a big believer that the arts stimulate the imagination, and without that we are nothing, hence the relevance of Blake. I’ve been invited to do a few more Blakean workshops across the summer, including one in early July in Nenthead in Cumbria with the noted poet Josephine Dickinson.

The media from the retreat will be available once Samantha and I have had time to work through the images and footage and decide how best to use it to promote the next retreat, next year. But I can give Finding Blake readers one wonderful shot, of Iain discussing Blake’s use of the spiral in his work.

Iain McGilchrist on William Blake
Exploring the Divided Brain: Iain McGilchrist on William Blake

Notes

Iain McGilchrist gave the 2016 Blake Society Lecture, The Infinite Brain and the Narrow Circle. You can explore Iain’s ideas and work at his website — including a download of the introduction to his 2009 book The Master and His Emissary. There is a 2015 interview with Iain McGilchrist at Interalia Magazine. 

Kevin Fischer drew on Iain’s work in his Finding Blake post Imagination, Experience and the Limitations of Reason.

You can find more about the workshop Exploring the Divided Brain at the Field & Field website.

Update: Another participant at the event, Jenny Mackness, has also blogged about her experiences there, including her workshop exploring the implications of Iain’s work for education.

‘Joy’ Reading & Film: Sasha Dugdale on Catherine Blake

Finding Blake creator and filmmaker James Murray-White announces a special public event and an exclusive film for our project, courtesy of award-winning poet Sasha Dugdale. Sasha’s recent poem Joy brings us the voice of Catherine Blake, wife to William Blake and ‘vital presence and assistant throughout his life’. 


And he is gone, fled singing to some place I cannot reach. His angels came and he sang to them and they told him they needed him more than I did… Merciless, merciless angels… Merciless angels who know nothing of human despair. And he went with them. He nodded and spoke mild words and was soon gone… And he left a shadow of grime on his collar and a warm bed. And the angels had tall wings, like steeples, or like sails and spread white like the King’s ship in dock, and they took him, only I couldn’t see them, but I know how they looked, for hadn’t he spent all his life in their company and mine? And didn’t they sometimes appear in white like good children, and sometimes like ladies but barefoot, with rosy pink staining their necks and hands and ringlets in their hair? Their sighs were angel swords and their smiles were beams of light. He smiled at me, as if to say can’t you see how bonny they are today, on this, my death day, and there’s the whole pity of it, for I couldn’t see, and I never could.

— from Joy, by Sasha Dugdale

And so spake Catherine Blake, reflecting back upon the life and death of her life-long husband William in 1827; or so writes Sasha Dugdale, poet and translator, who in this wondrous monologue gives voice to one of the most silent muses the world has known — who inspired steadily her vacillating husband-genius, is known to have helped him print and paint his masterpieces, and to whom he dedicated much of his writings.

Catherine Blake, by William Blake
Catherine Blake, by William Blake c1805

The monologue and its volume of other poems, Joy, won the Forward Prize for best single poem in 2016, and was described by the judges as “an extraordinarily sustained visionary piece of writing”. Sasha has written three other collections of poetry, is known for her promotion and translation of Russian literature, and is co-director of the Winchester Poetry Festival. She is currently poet-in-residence at St John’s College, Cambridge.

'Joy', by Sasha Dugdale
‘Joy’, by Sasha Dugdale

We at Finding Blake are delighted to announce that we will be exclusively filming Sasha reading her monologue, to be premiered here on our website and in the final Finding Blake film to be released later this year. On the same day — 11th April, at 7pm — Sasha will be giving a public reading of some of Joy and other work. The venue is a wonderful Victorian engineer’s house, undergoing restoration in the grounds of the Cambridge Museum of Technology by the River Cam. The house — now named ‘Othersyde’, with its lovely gardens and outdoor bar with views across the river onto a nature reserve in the heart of the city — is a new arts and escape rooms venue that I’ve been involved with for some time. This event is the finale of a winter series of literary & musical salons. 


Notes

The event is on Thursday April 11th at 7pm. All welcome, though early booking essential as it’s a cosy intimate venue — with only 25 seats! Booking info is here, and then please email me for a Paypal link to secure your ticket.

For further information on Catherine Blake, see Wikipedia, and there is an essay on her by Angus Whitehead at the Blake Archive.

For further information about Sasha Dugdale, see her Wikipedia page. You can enjoy another excerpt from Joy at the Forward Arts Foundation, (where there is also an interview with her), and here is a review from the Poetry School. The collection Joy (2017) is published by Carcanet Press, and was Winner of the 2017 Poetry Book Society Winter Choice Award; the poem Joy was Winner of the 2016 Forward Prize for Best Single Poem.

To find out more about Othersyde, visit their Facebook page.