Seeing the Wood Through the Trees

Reconciliation ecologist Pete Yeo celebrates Blake’s testimony to nature as ‘imagination itself’ with an exploration of how our ‘plant blindness’ is perhaps giving way to a ‘probiotic turn’ and the vegetal realm’s role in our need to more fully engage our individual and collective imaginations with the challenges of our times.


The tree which moves some to tears of joy is in the eyes of others only a green thing which stands in the way. Some see nature all ridicule and deformity, and by these I shall not regulate my proportions; and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself. As a man is, so he sees.

– William Blake, from his communications with the Reverend John Trusler, 1799

Having found Finding Blake during the pandemic my sensitised perception kissed this joyful quote as it flew, a passing mention by writer Robert Macfarlane during an online literary event about old-growth trees. It reminded me of my own experiences over the years with people who have only seen green things standing in their way, or wilder expressions of vegetation as a mess, as human control lost. It also brings to mind the sentiments of some researchers, like plant neurobiologist Stefano Mancuso, who have highlighted our general ‘plant blindness’, plants and vegetation too often being taken for granted as the backdrop to human affairs.

Plant blindness - seeing the tree

From plant blindness towards vegetal agency

One notable green obstruction was not ‘just a tree’ but a local hawthorn, a plant known to the imagination of any experienced rewilder as ‘mother of oak’, the protective nurse for spontaneous woodland regeneration. Just as the latter process is gaining popularity ahead of conventional tree planting, so we hear of a weed garden winning at a premier garden show, and not simply for its benefit to endangered pollinators. And then there’s the rise of creative pavement chalking for wildflowers (formerly ‘weeds’). All are examples of what Jamie Lorimer calls the ‘probiotic turn’, a nascent move away from antibiotic (against life) human agency, toward a mutualistic modus operandi.

In From What Is to What If, the Transition movement’s leading advocate Rob Hopkins asks what if we could more fully engage our individual and collective imagination with the challenges of this era? It’s an enticing question, made more interesting by recent insights into the nature of consciousness that are leading us to see this as an emergent phenomenon pervading the scalar cosmos. Nature as imagination itself; indeed, alive with it. Our human brains aren’t the prime generators of such music after all it seems; as physicist Nassim Haramein puts it, you wouldn’t go looking inside the radio for the presenter. Unlike indigenous cultures, the self-imposed boundaries of modern society have largely dulled our senses to external (and even internal) signals. For the sake of the music, now’s a good moment to give up the self-aggrandisement and return to harmony with the rest of the band.

In recent decades, playful research into plant sentience has reimagined these beings, so vital to our presence on stage, to the extent that there are now very active global conversations on plant ethics and rights. “Where will it end!” some might cry. Where everything is felt to be sacred, I would suggest, including any harvest thereof. Yet, in this example, I wonder if we have truly seen beyond our boundary thinking. Could the “optical delusion of consciousness”, as observed by Albert Einstein, wherein we see the world individualised, be limiting the imagination of this progressive research? Are we seeing the full proportions of vegetal sentience, and by extension, that of Nature as a whole?

Studies on plant cognition have already established plants as ‘supra-organismic ensembles’, to borrow from philosopher Michael Marder. Every plant is a form of swarm intelligence arising from its modular parts and devolved functioning. This agency features more senses than humans (15, compared to our five, or six), problem-solving, memory, kin recognition, and communication and sharing within and across species ‘boundaries’ (explore the work of Mancuso, Monica Gagliano and Suzanne Simard for instance). Such self-organisation, creativity and altruism are impressive enough, yet it’s their outward-facing behaviour in particular that hints at something more. Beyond being drops in the land-bound vegetal ocean, might we also see that ocean through every plant-formed drop?

Complexity and creative adventure

We can see that the evolution of life continually strives beyond the so-called individual, self-organisation (or greater coherence) emerging at ever-larger scales along with new properties that can’t always be explained via the sum of constituent parts. Think of the rise of nucleated cells or multicellular organisms, the swarming or flocking of animals, and certain aspects of human society. Such complexity appears to be born of efficiency and pragmatism, though possibly also creative adventure. In this light, can vegetation, viewed as a whole, be imagined as sub-organismic tissue within the living body of Gaia, with its own emergent properties aligned with the dynamic functioning of its host and other sub-parts?

Consider how European beech forests equalise resources, supporting disadvantaged trees via below-ground mycorrhizae, whilst facilitating closed canopies above. Or, that they synchronise their masting (fruiting) every few years to overwhelm herbivory and safeguard young saplings, we know not how (The Hidden Life of Trees). Wonder at the infamous albino redwoods in California that some researchers now believe to be sacrificial elements of their forest communities, rather than parasitic freeloaders, acting as toxicity sinks. On the same continent, marvel at Douglas firs, in terminal decline along the warming southern fringes of their range, shunting their remaining resources, again via shared mycorrhizae, into the young ponderosa pine moving north (Mycorrhizal Planet). All for the sake of a resilient green mantle we might imagine.

Further to the mention of beech in particular, there are the observations of ecologist Jean-François Ponge. He has described a forest, seen three-dimensionally, as an emergent, collective structure akin to the bubble-like form of the human being. Above and below ground canopies form the ‘skin’, trunks and branches the ‘skeleton’. My own studies, inspired by the work of herbalists Stephen Harrod Buhner and Timothy Lee Scott, have explored the idea that certain plants, often called weeds or invasives, might actually represent this green mantle’s immune response. Intriguingly, plant colonisation of grossly disturbed land is rather similar to the process of skin healing following wounding (substitute water loss for blood), even down to the healing substances deployed by respective ‘immune cells’.

Then there’s biotic pump theory, which seeks to show that continental interior forests, where they remain, create low-pressure systems above themselves that act to draw in moisture-laden air from the oceans (as winds blow from high to low). Indigenous wisdom already knew this as ‘forests attract rain’. Similarly, some now believe that trees allow a degree of herbivory in order to benefit from insect excrement, a useful fertiliser. We know that the web of life crawled out of the ocean, but did the ocean also crawl onto the land? Given the remarkable – if controversial – insights from a number of contemporary scientists, relating to the properties and powers of water molecules, this might not be such an outlandish idea. As Gaia theorists would put it, life creates the conditions for life.

A new old story

This unified perspective I’ve attempted to sketch out for the vegetal realm is reflected across the sciences, not least in physics (the holofractographic cosmos) and biology (the holobiont). It doesn’t end there of course; our boundary delusions are being challenged across society. The ‘Story of Separation’, as writer Charles Eisenstein puts it, our modern cultural mythos, is as a veil now wearing thin. A more compassionate, relational ‘Story of Interbeing’ is re-emerging; fertile ground, perhaps, for a unified field of phytology (botany), somewhere out beyond all notions of right and wrong. A field from which we might see the wood through the trees, and onward to a more regenerative existence within the ‘Ocean of Being’.

Until such an arising, I sense Blake and our Muse – nature as imagination itself – at my shoulder.


Notes

All photographs by Pete Yeo. In his first Finding Blake post, An Evergreen and Pleasant Land?, Pete takes inspiration from William Blake’s poem that later became the hymn Jerusalem to contemplate the impacts of our changing climate on Britain’s evergreen plantlife. And in Auguries of Innocence: the Connected and Consequential Cosmos, he shares his appreciation of Blake’s words and their popularity for how they speak directly to the heart of the matter.

For more from Pete, see his website, Future Flora, and his similarly-named Facebook page for weekly musings. Lately, he’s felt a call to write more expansively on the need for a more holistic and reverential relationship with the plant realm (and hence all Life). At times the muse has felt rather Blakean.

You can read about and view William Blake’s letters to the Reverend John Trusler here at the British Museum, in which Blake explains that “I feel that a man may be happy in this world, and I know that this world is a world of imagination and vision. I see every thing I paint in this world, but everybody does not see alike.”

A forthcoming issue of The Blake Society’s Vala journal will focus on Blake and Nature (Issue 2, released in November 2021, features original art from our previous Finding Blake contributor, Tamsin Rosewell), and the Society has this callout for contributions to a seminar on the topic: Nature Is Imagination Itself.

Pete mentions a number of sources on plant consciousness, including plant neurobiologist Stefano Mancuso. You can watch a TEDx talk Are plants conscious? where he talks about our ‘plant blindness’. In Why ‘plant blindness’ matters — and what you can do about it for the BBC Future site (29/4/10), Christine Ro looks at how humans succumbed to plant blindness and advocates for everyday interactions with plants.

And in The ‘messy’ alternative to tree-planting for the BBC Future Planet feature (25/5/21), Catherine Early explores how trees are excellent at taking carbon out of the atmosphere and trapping it in their trunks, roots and leaves, but asks what if planting them wasn’t the solution? A brief BBC News item (25/7/21), Weed garden wins RHS gold at Tatton Park flower show, explains that the team behind the garden wanted to show that native plants are not just beautiful but essential for wildlife, while in ‘Not just weeds’: how rebel botanists are using graffiti to name forgotten flora in the Guardian (1/5/20), Alex Morss describes how Pavement chalking to draw attention to wild flowers and plants in urban areas has gone viral across Europe.

Jamie Lorimer’s book The Probiotic Planet: Using Life to Manage Life is published by University of Minesota Press (2020), and you can download the introduction an hear an interview with the author at the link. And Rob Hopkins’s book From What Is to What If’: Unleashing the power of imagination to create the future we want is available from the author’s website.

In Does Consciousness Pervade the Universe? for Scientific American (20/1/20), philosopher Philip Goff explores panpsychism and the possibility that consciousness is not something special that the brain does but is instead a quality inherent to all matter?

The Hidden Life of Trees: What They Feel, How They Communicate by Peter Wohlleben (published by Harper Collins, 2017) makes the case that the forest is a social network. And in Rare Albino Redwoods May Hold Clues to Ecosystem Health, at Atlas Obscura (9/7/21), Marina Wang describes how these ‘ghosts of the forest’, once thought to be a burden to neighbouring trees, may actually benefit them. And Michael Phillips’s book, Mycorrhizal Planet: How Symbiotic Fungi Work with Roots to Support Plant Health and Build Soil Fertility (Chelsea Green Publishing, 2017) explores the science of symbiotic fungi and sets the stage for practical applications across the landscape. 

Auguries of Innocence: the Connected and Consequential Cosmos

Reconciliation ecologist Pete Yeo took inspiration from Blake’s Auguries of Innocence in a new-found understanding of the natural world through chaos theory and fractals. Here, he shares his appreciation of Blake’s words and their popularity for how they speak directly to the heart of the matter.


To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour

Why is it that these opening lines of William Blake’s Auguries of Innocence have become so well-known? Might the answer draw out a dichotomy in our modern relationship with the cosmos, yet still augur well for our necessary reconciliation with the web of life?

I cannot now recall when I first encountered these lines yet I suspect it was in the early nineties, around the time of my introduction to chaos theory and fractal geometry following a travelling scholarship to the USA. Whilst I may have begun with an intellectual interpretation of his poem’s beautiful opening invitation, his words would have resonated with my felt experience of the connective patterning of the world around me. I’m sure I’m not alone in having seen the macrocosm in the microcosm, and vice versa. Blake’s words are popular, I suggest, because they speak directly to the heart of matter.

auguries of innocence - repeating patterns in nature
A familiar fractal metapattern: what social scientist Gregory Bateson called ‘the Pattern that Connects’.
Photograph: Pete Yeo

Recalling that trip to the USA, and a mind alive with new-found understanding and meaning, I began to see further into the depth of the world as I toured nature preserves around the southeastern states. And not just with my mind; an artist’s feeling sense was being nurtured too. Atop a landmark granite outcrop in Georgia, I took a photograph that was soon to have great significance for me. The subject was simple enough, a crescent of lichen and moss initiating the process of plant colonisation around a small solution pool of less than half a metre square. With time, as weathering and root action proceeded, they would be joined by grasses, perhaps a shrub or two, even a pine sapling. In awe of the power of the vegetal realm, there I left it.

Vegetal beginnings; the solution pool atop Heggie’s Rock, Georgia.
Photograph: Pete Yeo

A golden thread 

On my return to the UK I began to satisfy my craving for more knowledge of chaos theory, the self-similar scaling of fractals and, inevitably, quantum physics. Within a better grasp of Life, how might I use this information in my work with plants? It wasn’t long before serendipity offered its help. The latest issue of a magazine subscription included a supplement on Australia, within which was a photograph that rather took my breath away. It was an aerial shot of a beautiful bay fringed by mangrove forest, this forest exhibiting the same light/dark green banding as the lichen (light) and moss (dark) in Georgia. The similarities can, of course, be explained rationally, and yet, for me, it was a heart-felt sign; here was a golden thread to follow.

The serendipitous, scaled-up vegetal crescent on the coast of Australia.
Photograph: Unknown

Plants have long ignited my imagination, and they had taken me to the States. These days I have a growing appreciation of the extent to which they have supported me throughout my life as I have searched for meaning in various ways and places. They have been both generic and specific totems. It is with deep gratitude that I now work with them as nature connection portals for others, supported by the latest discoveries in plant behaviour, intelligence and connectivity. My interest in physics has continued alongside, especially in recent years with the fascinating insights arising from the field of unified physics (readily accessible via the Resonance Science Foundation, for instance).

Auguries of innocence: a unified field

This new physics is radically evolving our modern worldview, evidencing the ancient spiritual mantra, known to Blake we might imagine, that “All is One”. The mind is now explaining what hearts have long felt; rather than having separatist dominion over a ‘clockwork universe’ of parts, we are an expression of a living cosmos that is far more than the sum of its interdependent parts. The ‘Ocean of Being’ is now described as an immersive, unified field of energy from which all physical matter is spun into patterned existence across an infinite scale. As plant cognition scientist Monica Gagliano puts it, “we are not in nature, we don’t go to nature. We are nature. We literally spring out of the planet.”

auguries of innocence - the cosmic matrix
The cosmic matrix, the “flower of life”, each circle actually an overlapping sphere in 3D.
Photograph: Pete Yeo

This unified field expresses the sacred geometry known to the ancients, its foundational structure represented by the ‘flower of life’ symbol, and its fundamental energy flow pattern by the yin yang symbol. Inherent to the latter is a reflexive learning and evolving mechanism known as ‘feedback/feedforward’. This is reflected, for example, in the Earth’s electromagnetic field or a halved apple. Simply use opposing fingers to trace a pattern exiting one pole, passing along either side, re-entering at the other pole, and reuniting via the core. In other words, what is given out to the world is received back, things work or they don’t. Just as Blake’s poem goes on to suggest, our actions have consequences for us in time, and we can learn and evolve accordingly.

William Blake’s Newton (1795): colour print with pen & ink and watercolour.
Image: The William Blake Archive

And so, we come full circle. Whilst Blake took issue with the emergence of Science, most notably with his painting Newton, this adventure in reductive reasoning – the so-called Enlightenment that became what countercultural intellectual Charles Eisenstein calls the ‘Story of Separation’ – was perhaps a necessary detour for humanity. Putting a positive spin on the matter, the inherent and multivalent learning therein has likely moved us forward as a species, delivered us to a more informed space. I would like to think that my personal journey into disconnection has had a similar outcome in microcosm. It could be said that we have come full spiral; indeed, in 3D the yin yang’s energy flow pattern is in fact spiralling (for a visualisation, see the link in the notes below).

Better connection

As heart and mind, feeling and intellect reconvene in our crisis-ridden time there would appear to be cause for hope. Yet, however resonant our intellect, that is no guarantee of better decision-making. Consider the decades of appeals to society with respect to climate change. The world around us and its events need to be acutely felt for effective action to be taken – what has been called compassionate empathy – just as you might act on chronic pain within your own body. The revolution is love, as they say, and we care for what we love.

Thankfully our heart connection is always there for us; to modify an old adage, you can try to take the child from the cosmos yet you can’t take the cosmos from the child. The new physics is telling us that at the centre of every 3D yin yang, at whatever scale we choose – from proton to galaxy, we will find singularity and the intimate portal of connection with the unified field of the cosmos, or ‘Source’. Far more than a pump, the human heart, generator of the body’s largest electromagnetic field, is in every sense our centre of felt connection.

Auguries of innocence - the seed of truth
Whatever the scale, there is a seed of truth at the heart of matter.
Photograph: Pete Yeo

It is no coincidence that just when we most need to reconcile ourselves with our planetary home there is now a popular surge in nature connection activities, like forest school (for all ages) or foraging, alongside ecological campaigning. A beneficial aspect of today’s media is that they are helping us feel the collective trauma. The restorative power of our heartfelt connection, evidenced also in the rise of forest bathing and nature prescriptions, can even ‘resuscitate’ those numb to the world around them, to quote nature connection practitioner Danny Shmulevitch. It could be as simple as bathing in a starry night. The joy of the world is as much ours as its pain; as the yin yang symbol shows, they are intimately entwined.

Man was made for Joy & Woe
And when this we rightly know
Thro the World we safely go
Joy & Woe are woven fine
A Clothing for the soul divine
Under every grief & pine
Runs a joy with silken twine

These later lines from Auguries of Innocence further evidence Blake’s channelling of some mighty wisdom, describing the seed of truth at the heart of matter – our consequential connection to cosmos. What, I wonder, might have happened if Isaac Newton had interpreted his falling apple another way, coming to know that he had held infinity in the palm of his hand and eternity in that hour? Blake may smile wryly at the question, yet in fairness to Newton, I’ll close with a line from another popular text, the Desiderata by Max Ehrmann.

No doubt the universe is unfolding as it should.


Notes

In his previous Finding Blake post, An Evergreen and Pleasant Land?, Pete finds inspiration in William Blake’s poem that later became the hymn Jerusalem when contemplating the impacts of our changing climate on Britain’s evergreen plantlife.

For more from Pete, see his website, Future Flora, and his similarly-named Facebook page for weekly musings. Lately, he’s felt a call to write more expansively on the need for a more holistic and reverential relationship with the plant realm (and hence all Life). At times the muse has felt rather Blakean.

You can read Auguries of Innocence and more of Blake’s poems at Poetry Foundation. In a September 2020 article on Blake’s four-fold imagination, Mark Vernon discusses Blake’s view of the limitations of the ‘singular’ vision of science as exemplified by Isaac Newton and illustrated in Blake’s painting.

Wikipedia, as ever, has useful introductions to chaos theory and fractal geometry, and there is more at the Resonance Science Foundation, a global research and education non-profit organization working for the unification of physics and science as a whole.

You can hear plant cognition scientist Monica Gagliano, as quoted by Pete, discuss plant sentience in this 2020 podcast from Camden Art Audio. For more on the ‘flower of life’ and yin yang symbols Pete discusses — and illustrates in his image, the cosmic matrix — again Wikipedia provides good overviews. Pete has provided this link to a more 3D illustration of the spiralling nature of the yin yang energy flow, as mentioned in his text.

Pete mentions the thinking of Charles Eisenstein on the ‘Story of Separation’, and you can watch a short video of Charles talking about the root of this separation on his website.

For more on the restorative power of connection with nature, see these pieces on forest bathing and nature prescriptions and the work of Danny Shmulevitch.

Finally, the full text of Max Ehrmann’s Desiderata is available here.